Offset Prints and Multiples

Original exhibition poster by Damien Hirst from 2007. The exhibition took place at Gagosian, Davies Street, London, and Gagosian, Beverly Hills. Damien Hirst (British, b. 1965) Dam...

Paper Size: 39 x 27 inches ( 99.06 x 68.58 cm ) Image Size: 23.5 x 23.5 inches ( 59.69 x 59.69 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and Ha...

Paper Size: 25.5 x 25.5 inches ( 64.77 x 64.77 cm ) Image Size: 22 x 18.25 inches ( 55.88 x 46.355 cm ) Framed: No Condition: A: Mint Additional Details: Published by Te Neues Publi...

Paper Size: 47.5 x 35.5 inches ( 120.65 x 90.17 cm ) Image Size: 41.25 x 32.25 inches ( 104.775 x 81.915 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Suppl...

Artist: Peter Max Title: R.J. Grunts Year: 1971 Dimensions: 36in. by 24in. Edition: From the limited edition Medium: Offset lithograph on premium paper Condition: Excellent Signature...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 18 x 23.5 inches ( 45.72 x 59.69 cm ) Framed: No Condition: A: Mint Additional Details: Poster created for a Hockney ...

Paper Size: 26.75 x 34.75 inches ( 67.945 x 88.265 cm ) Image Size: 26.75 x 34.75 inches ( 67.945 x 88.265 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Add...

JACOB LAWRENCE THE BUILDERS 1985 Commemorative Poster - National Urban League 75th Anniversary 1910-1985, original 1985 printing Poster size - 35.25 x 23 inches, unframed, unsigned ...

Medium: original offset lithograph. This work is also known as "Envelope". Rauschenberg executed this interesting Pop Art classic for Art In America in 1970. It consists of one compo...

Paper Size: 25.25 x 24 inches ( 64.135 x 60.96 cm ) Image Size: 25.25 x 24 inches ( 64.135 x 60.96 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 26.75 x 22.5 inches ( 67.945 x 57.15 cm ) Framed: No Condition: A: Mint Additional Details: American Indian by Andy W...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Paper Size: 37.25 x 26.25 inches ( 94.615 x 66.675 cm ) Image Size: 30.5 x 23.25 inches ( 77.47 x 59.055 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Paper Size: 31.5 x 22.5 inches ( 80.01 x 57.15 cm ) Image Size: 31.5 x 22.5 inches ( 80.01 x 57.15 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Su...

Roy Lichtenstein As I Opened Fire Triptych (Corlett App.5), 1966 Set of three (3) Color Offset Lithographs on wove paper. Museum stamped verso. Unframed Museum stamped verso., not si...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Image Size: 29.25 x 23.5 inches ( 74.295 x 59.69 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Paper Size: 31.5 x 23.75 inches ( 80.01 x 60.325 cm ) Image Size: 23.25 x 20.25 inches ( 59.055 x 51.435 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Paper Size: 27.5 x 27.5 inches ( 69.85 x 69.85 cm ) Image Size: 27.5 x 27.5 inches ( 69.85 x 69.85 cm ) Framed: No Condition: A: Mint Additional Details: Reproduction of Warhol’s Wi...

Paper Size: 35.5 x 23.5 inches ( 90.17 x 59.69 cm ) Image Size: 22.25 x 22 inches ( 56.515 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: Published by te Neues Publi...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 19.75 x 14.5 inches ( 50.165 x 36.83 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and ...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 13.5 x 17 inches ( 34.29 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and Hand...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 17.25 x 17.25 inches ( 43.815 x 43.815 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping an...

Paper Size: 20 x 16 inches ( 50.8 x 40.64 cm ) Image Size: 8 x 9.75 inches ( 20.32 x 24.765 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supplemen...

Paper Size: 30.25 x 23.5 inches ( 76.835 x 59.69 cm ) Image Size: 30.25 x 23.5 inches ( 76.835 x 59.69 cm ) Framed: No Condition: A: Mint Additional Details: Soup Can bag by Andy Wa...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 22 x 22 inches ( 55.88 x 55.88 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplemental C...

Paper Size: 38.5 x 26.75 inches ( 97.79 x 67.945 cm ) Image Size: 29.75 x 26.75 inches ( 75.565 x 67.945 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Raymond Pettibon My Struggle for Life After Death 1982 (Raymond Pettibon zine): This visually enticing 1982 Raymond Pettibon artist book/zine titled incl...

Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative draw...

Andy Warhol Jean-Michel Basquiat Boxing posters 1985: Complete set of 2 works: The most sought-after Basquiat/Warhol collectibles in existence - presented as a complete set of 2. Pu...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 22 x 22 inches ( 55.88 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: Printed in Germany by te Neus, ...

Paper Size: 35.5 x 35.5 inches ( 90.17 x 90.17 cm ) Image Size: 35.5 x 35.5 inches ( 90.17 x 90.17 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Raymond Pettibon Short Teats Bloody Milk 1985 (Raymond Pettibon zine): This visually enticing 1985 Raymond Pettibon artist book/zine titled, Short Teats,...

Yayoi Kusama MoMa Skateboard Deck: This Kusama skateboard deck features Kusama's Dots Obsession imagery and makes for standout Kusama wall art that hangs with ease. Published by MoMa...

Paper Size: 19.5 x 27.5 inches ( 49.53 x 69.85 cm ) Image Size: 15.75 x 21.75 inches ( 40.005 x 55.245 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shippin...

Vintage gallery exhibition poster. Bright vivid red and bold yellow. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Image Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Framed: No Condition: A: Mint Additional Details: “People are so fantastic. You c...

Paper Size: 39 x 27.5 inches ( 99.06 x 69.85 cm ) Image Size: 27.5 x 18 inches ( 69.85 x 45.72 cm ) Framed: No Condition: A: Mint Additional Details: Rare exhibition poster from the...

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...

Paper Size: 25.25 x 35 inches ( 64.135 x 88.9 cm ) Image Size: 25.25 x 35 inches ( 64.135 x 88.9 cm ) Framed: No Condition: A: Mint Additional Details: Five color offset lithograph, facsimile signature by Marc Chagall, printed on deckel edge heavy Teton paper. The edition size is 1500. The image is a detail of the Paris Opera Ceiling in Paris painted...

Keith Haring Run DMC Adidas Poster 1986: Rare original Keith Haring illustrated Run DMC promotional poster published in collaboration with Adidas and Kei...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Hand signed by the artist in felt pen, lower center, 'K. Haring' for Keith Haring (American, 1958-1990), circa 1984. The inside cover of 'Art in Transit: Subway Drawings' by Keith Ha...

Alexander Calder rare Maeght sculpted holiday card, 1968 Hand made sculpted paper collage on paper with embossing Embossed artist's monogram 10 × 7 × 6 1/2 inches This rare, fold-ou...

Jean Dubuffet Ustensiles Utopiques 1966: Hand-signed Jean Dubuffet lithographic poster published on the occasion of: "Jean Dubuffet, Recent Pa...

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 27.5 x 25 inches ( 69.85 x 63.5 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Add...

Paper Size: 9 x 11.75 inches ( 22.86 x 29.845 cm ) Image Size: 9 x 11.75 inches ( 22.86 x 29.845 cm ) Framed: Yes Frame Size: H: 10 x W: 10.75 x D: .75 in. Condition: A: Mint Additi...

Paper Size: 35.5 x 26.75 inches ( 90.17 x 67.945 cm ) Image Size: 28.75 x 25.25 inches ( 73.025 x 64.135 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Vintage gallery exhibition poster. Navy blue and bold yellow stars with vibrant orange. Surrealist man in hat with scythe or fishing rod. The Galerie Maeght is a gallery of modern ar...

Paper Size: 24 x 12 inches ( 60.96 x 30.48 cm ) Image Size: 23.5 x 11.5 inches ( 59.69 x 29.21 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Paper Size: 16.5 x 11.75 inches ( 41.91 x 29.845 cm ) Image Size: 11 x 9.25 inches ( 27.94 x 23.495 cm ) Framed: No Condition: A: Mint Additional Details: Exhibition poster by Licht...

Paper Size: 19.5 x 15.75 inches ( 49.53 x 40.005 cm ) Image Size: 7 x 9 inches ( 17.78 x 22.86 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Richard Serra Torqued Spirals, Toruses and Spheres, 2001 Offset lithograph poster (Hand signed by Richard Serra) Boldly signed in black marker on the front 28 × 20 inches Unframed This poster was published on the occasion of Serra's October 2001 exhibition at the Gagosian Gallery - one month after 9/11; The posters were sold for the benefit of the Twin Towers Fund and a certain quantity were hand signed by the artist. Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture...

Paper Size: 23.5 x 19.5 inches ( 59.69 x 49.53 cm ) Image Size: 13.75 x 9.75 inches ( 34.925 x 24.765 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemen...

Paper Size: 29.5 x 19 inches ( 74.93 x 48.26 cm ) Image Size: 24 x 12 inches ( 60.96 x 30.48 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Suppleme...

Paper Size: 31.5 x 24 inches ( 80.01 x 60.96 cm ) Image Size: 31.5 x 24 inches ( 80.01 x 60.96 cm ) Framed: No Condition: A: Mint Additional Details: Marilyns x 4 Multicolor by Andy...

Paper Size: 20.75 x 19.75 inches ( 52.705 x 50.165 cm ) Image Size: 20.75 x 19.75 inches ( 52.705 x 50.165 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shi...

Paper Size: 30 x 34.5 inches ( 76.2 x 87.63 cm ) Image Size: 22.5 x 30 inches ( 57.15 x 76.2 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detail...